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Performance
In The Process of Knitting A Netting: Version 3 (2021) 

The words activated by were Alex Baker, Britt Hatzius, Camilla Wilson, Jumana Emil Abboud and Stephan Sänger, at the closing event for the four person exhibition, Meeting The Universe Halfway at Campbell Works in London on 23 Oct 2022. (the use of headphones is recommended as the floorboard is singing to the words.)

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The project was initially produced and delivered for Estuary 2021 Associated Programme, funded by Arts Council England. 

In The Process of Knitting A Netting: Version 2 (2021) 

Performed by: Agnes Lillis, Christina Clarke, Des Reynolds, Flora K. Greenwood, Lizzie Hall, Richard Melchior, Sophie Scannell, Tricia Hall, Will Goodman. 

Activated on Lowestoft beach at sunset as the finissage for an exhibition, "Thank you, and I mean that very very sincerely" (July-Aug 2021) at 303 Projects, Lowestoft.

Filmed by Alexander Costello (without additional equipment, so you will hear the coastal wind)

The project was initially produced and delivered for Estuary 2021 Associated Programme, funded by Arts Council England. 

NY_Estuary_Flyer.jpg
In The Process of Knitting A Netting: Version 1 (2021)
Spoken word performance piece produced and delivered in partnership with Resort Studios, Margate and The Horsebridge Arts Centre, Whitstable for Estuary 2021 Associated Programme (May-June 2021), funded by Arts Council England.
 
The piece was activated by local participants at sunset over eight evenings.

Please click the image to go to a dedicated page. for the project. 

Imagined New (2020)

Performed by Alex Baker, Matthew Stock, Patricia Pinsker and Yvette Greslé.

Duration: Approx. 8 min.

Dimensions: Virtually variable

Live performance on Zoom live-streamed on Youtube for online exhibition Personal Space at Surface Gallery, Nottingham on 26 Sep 2020.

Movement Reality (2019)

 

Performed by John Cooker, Shivinder Grewal, Sarah Ismail.

Duration: approx. 5 min (3 min excerpt)

Dimensions: variable

A collaboration with the performers who have neurological conditions, rehabilitation professionals - Athena Logothetis and Gemma Cook, and a health science researcher - Dr. Elizabeth Cassidy.

The score and the performance were developed with the performers.

Performed at the World CP Day at Chikenshed Theatre London

A piece for four voices in "Songs For Becoming" (2019)

 

Conducted by Christian Damsgaard

Performed by Chor Nova and friends; Andrey Stoyanoff, Boris Boll-Johansen, Catriona Miller, Eva Dominique Wenzel, Juan David Guzmán Martínez, Lotte Møller, Lucia Schreyer and Sophie Charlotte Schippmann

Duration: Approx. 8 min.

Dimensions: variable

Performed as the finissage of the exhibition at die raum, Berlin, Germany

Is Orange Still The Colour of Future? (2018)

Documentation: 07'09-10'07

 

Performed by Alex Baker, Kit Paulson, NaoKo TakaHashi

Duration: Approx. 3 min.

Dimensions: variable

Performed at the opening of There is No End, Thank You, Sluice HQ, London 

Variation of C (2016-7)

 

Performed by Angela Hilton, Nivana Jade, Mo Bottomley and Vickie Fear
Duration: Approx. 3 min 30 sec each act
Dimensions variable

 

Act 8:15pm: 00'00 - 03'43
Act 9:15pm: 03'45 - 07'14

 

Performed at the opening of Plymouth Contemporary 2017, KARST, Plymouth 

Variation of C (2016)

Performed by Tina Gverović, Terry Kirkbride, Matthew Stock and NaoKo T

Duration: approx. 10 min (3 min excerpt)

Dimensions variable


Performed at Qalandiya International 2016 London
Curated by Palestinian Regeneration Team (PART)
AV engineering and recording by Teo Cruz and his team, Westminster University Marylebone, London

“Echoes and Transformations”, Wiebke Leister performing with NaoKo TakaHashi at White Conduit Projects, London, 20 Oct 2016


05'19 min video documentation of the performance

Duration: approx 17 min.
Materials: folded publication, pencil, electro-acoustic amplification, effects pedals, spoken word


 

Glimpse of a Night (2015)

03'45 audio documentation of spoken word performance
Duration: approx. 7-8 min
 

Written in response to a book, Wednesday Afternoon by Vit Hopley, Common Intellectual No. 01 published by Copy Press, 2013

Don’t Shoot the Messengers in the Cosmic Microwave (2011)

3 min clip of the live performance for Resonance Open, Gone with the Wind curated by Ed Baxter at Raven Row, London 2011. Performed with Terry Kirkbride for Resonance FM live broadcast on 02 July 2011, using pieces installed in the exhibition.

performance, drawing, NaoKo TakaHashi, live link projection, Framing the Frame, Framed, London
Echoes of The Body (2016)

5 min audio recording of spoken word performance
Duration: approx. 7 min
   0:00 - 0:46 (beginning)
   0:48 - end (the last 4 min of the performance)

Text was written reflecting "The Bound Man" by Iise Aichinger, published by Copy Press, 2015

Repetition of Uncoded (2012)

16:9 SD Video
Colour with no sound

Duration: 11'00 loop

Commissioned by POLYply London

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Good Morning at Night (2005)

 

A short film produced during Sharjah Biennale 7's Artist in Residency Program
Shot on Mini DV

Colour with sound (English with Arabic subtitle)

Duration: 10'45

 

Read synopsis here

performance, drawing, NaoKo TakaHashi, live link projection, Framing the Frame, Dubrovnik, Croatia, Theory and practice
performance, drawing, NaoKo TakaHashi, live link projection, Framing the Frame, Framed, London
performance, drawing, NaoKo TakaHashi, live link projection, Framing the Frame, Toyama, Japan
performance, drawing, NaoKo TakaHashi, live link projection, Framing the Frame, Tokyo, Japan

Framing the Frame Series (2004-7)

Live performance with live/web linked video projection.

Duration: variable

performance for camera, NaoKo TakaHashi, Painting the sky blue

Painting the Sky Blue (2006)

Performance for camera

Duration: 05'45

Video still

performance for camera, NaoKo TakaHashi, Making a little island of desert

Making a Little Island of Desert 2005

Performance for camera

Duration: 03'15

Video still

performance for camera, NaoKo TakaHashi, Measuring each other

Measuring Each Other (2004)

Performance for camera

Duration: 05'00

Video still

performance for camera, NaoKo TakaHashi, Monkey and Bear

Monkey and Bear (2002)

Performance for camera

Duration: 01'25

Video still

performance for camera, NaoKo TakaHashi, ..... (untitled)

. . . . . (untitled) (2000)

Performance for camera

Duration: 05'24

Video still

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